SomoS Artist-in Residence Summer 2016, Marguerite Harris’ work incorporates elements of collage, analog film, video-art, installation and New Media.
In her work, Marguerite Harris merges older or outmoded techniques such as film and video signals with newer editing and computer graphing techniques, creating hybrid works. My interest are in the way technology continues to “evolve” as well as the illusion of single images which form in relation to the movement and speed of the camera and form of light.
More recently, Harris started working with textile materials -African cloth projections- and the comparisons to numeric arts and algorithms.
A graduate of Indiana University Bloomington, she holds an MFA in New Media and followed theoretical studies on Cinema. Harris wrote and published essays on art and Experimental Cinema, which are used as references in the fields of Contemporary Cinema and New Media Theory.
Of her Expanded Cinema installations, Harris has said:
Much of my own work focuses on the idea of the body in time and space as well as the use of virtual technologies relating to video and computer graphing. In these works, there is an image projected through a collapsed sense of time. In the immersive video-film environments, the work explores archived images-events and phantom representations of fluid forms encased withing the digital frame which vanish at points and spaces reappearing in fragmented and entropied forms, creating states of vertigo.
During her residency, Marguerite Harris will prepare an Expanded Cinema installation combined with interactive light display and treated/sewn analog film. Additionally, she will conduct a workshop related to her art projects.