The outside world must not come in
September 25th – 29nd 2018, SomoS presents The outside world must not come in. a solo exhibition of paintings and videos by young Estonian visual artist Alexei Gordin.
Gordin is the winner of the 2017 Young Painter Prize, one of the most important art events in the Baltic countries, uniting Lithuanian, Latvian and Estonian young artists under 30. As part of the generous prize package supporting the development of young Baltic artists’ careers, Gordin received a residency in one of SomoS live/work studios in August and September of 2018. Presented in the solo exhibition are new works made during Gordin’s time working in Berlin, while immersing himself in the city, working alongside a community of international artists.
The outside world must not come in.
In his book Inside the White Cube: The Ideology of the Gallery Space Brian O’Doherty claims that “a gallery is constructed along laws as rigorous as those for building a medieval church. The outside world must not come in.” The inspiration for the paintings created during Alexei Gordin’s stay at SomoS comes from a picture blog where the world’s top galleries post their high level exhibitions every day. The spaces in the shots are so white, ideal, symmetrical and fearfully clinical, that the presence of any real life seems to be an excess.
These idealized images are used as the settings of Gordon’s paintings, representing a stage for absurdist fictional situations underlining the artist’s view of the lifelessness of the professional art sphere, bringing life into it.
As an opposite to the sterile idealizations of the commercialized art world, Gordin puts forward the abandoned space as an antagonistic element of the exhibition’s narrative.
As Gordin states,
During the opening, the world of the gallery will be transformed by an experimental audio set by multimedia artist Jarkko Räsänen. Utilizing magical artifacts from his travels in East Asia, his sound piece will charge the white cube space with mystical energies. Räsänen will organize the crystal formations of a multidimensional hologram live with an audio looper device, and scatter spectral harmonies out of cryptographic softwares written in forgotten languages.
About Alexei Gordin
Alexei Gordin (b. 1989, Tomsk) lives and works in Tallinn, Estonia. He has studied painting at the Estonian Art Academy. In his sardonic work, he employs different mediums such as painting, drawing, photo, video, and performance.
Gordin’s painting is informed by the problematic sides of contemporary liberal society that he portrays through ironic narratives and frequent use of antihero figures. The difficult relationships between the artist and the market, and the self image and societal role of the artist are explored in a deliberately ironic and in your face way, raising important questions about the validity of art’s rarely questioned conventions and dysfunctionality in a rapidly changing world.