Orphaned Memories is a group exhibition featuring Dongyan Chen, Ivetta Sunyoung Kang, Elena Amabili presented as part of the official program of the 48 Stunden Neukölln Festival.
15 – 22 June 2019, 2-7pm
Opening: Friday, June 14th 2019
Reconfiguring the Meme Machine consists of a series of workshops and rituals conducted by Australian artist Bianca Tainsh during the month of September as she concludes her artist residency at SomoS in Berlin, Germany. The project, which aims to “reverse the tide on mass consumerism” by engineering a “Memetic Virus” – a concept that jumps […]
In The outside world must not come in, the solo exhibition of paintings and videos by visual artist Alexei Gordin (Estonia), the stage was set for absurdist fictional situations underlining the artist’s view of the sterility of the professional art sphere, bringing chaos and life into it.
Within “The Beholder” group exhibition, organized in conjunction with the acclaimed PornFilmFestival Berlin, SomoS Art House presents performative projects and ephemeral installations as critical responses to the notions of erotic fantasy, consumption of images, and the spectatorship and voyeurism of sexuality in our mediated society. “Beauty is in the eye of the Beholder” is a […]
A video-supported lecture in by artist/activist/theoretician Pedro Bustamante (PHD candidate, Superior Technical School of Architecture, Madrid) as part of SomoS’ Unclean project. The theme “Uncleanliness” is of great interest to Pedro Bustamante. He thinks that it needs to be discussed in the broader phenomenon of the sacrifices or the “scapegoat mechanism” as René Girard put […]