Within the framework of Vorspiel 2019, the official yearly preliminary program leading up to the Berlin Transmediale, SomoS Art House presents a day of performance art curated by Zander Porter of XenoEntities Network. The presented performances explore the topic of technological tools as prosthetics; interpreting them as enabling-devices for performance and for identity construction within the performative space.
In the 77th edition of the Scope Sessions, taking place at SomoS, artists Kate Chen and Mila Chiral demonstrate and discuss their work.
Open Call for the “Un_becoming” group exhibition, taking place October 23-28 2018 at SomoS Berlin (coinciding with the Berlin Pornfilm Festival): SomoS’ curatorial team requests submissions for performance projects and ephemeral installations as critical examinations of dystopian and utopian views on our technologically mediated view of sexuality.
Danish visual artist Aske A. Hvidtfeldt‘s paintings full of Cyborgs explore the look and ideologies surrounding 1920’s industrialism, comparing it to today’s “digital revolution.” His spray-painted works on paper offer an optimistic vision of the “Man Machine.”