In the solo exhibition Encoded, Stored, and Retrieved, Berlin-based French painter Christie MacDonald processes memory and cultural influences, merging her gorgeous reinterpretation of pattern painting with impulses from the digital realm.
Cinema Conversación LGBTQ* #4 Screening & Artist Talk Featuring Lily Scherlis, Nora Smith and Anna-Lea Schmitt For the fourth edition of the Cinema Conversación LGBTQ* series of film screenings/artist’s talks, taking place Friday, January 11th 2019, 7pm, SomoS proudly presents an evening of queer cinema and conversation, curated by Zsombor Bobák. Presenting the work of […]
Christie MacDonald is a French-born artist based in Berlin, whose practice involves painting and print. Her abstract works reference digital and computer culture, the internet and social media.
Jonas Blume is a Berlin-based conceptual video and installation artist. His art is centered around the theme of the relationship between online and offline self, and how existence in each realm spawns a multidimensional identity that is neither entirely virtual, nor limited to IRL (in real life) personae. When an individual can exist as multiple […]
British Berlin-based photographer and curator Stephanie Ballantine is interested in topics such as: techno-capitalism, commoditized sexuality, political identity, and agency.
Elly Clarke was born 1976 in London. As a performer, photographer and curator she is interested in the changing face, experience and role of the physical object and body in our increasingly digitally-mediated and experienced world. She explores this theme through photography (analogue & digital, mobile phone pictures & screen grabs) video, performance, audio, music, […]
Esben Holk took part in SomoS’ The Beholder group exhibition, with an installation featuring a computer setup screen connected to a live broadcast from FotoKlub Kollektiv gallery, in which characters from The Cyber and Material Character performed actions at the direction of SomoS’ exhibition visitors.
In her installation Uncanny Valley, American Multi-media artist Erin Mitchell transformed SomoS’ exhibition space into an immersive installation that physically recreated the idealized natural imagery of screensavers and desktop wallpapers. Bringing the digital into the analog realm in a literal way, Mitchell encourages us to question our relationships with personal technology and redefine our perspectives and movements within these two often competing realities.